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・ The Rescue (1917 film)
・ The Rescue (1929 film)
・ The Rescue (1988 film)
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・ The Rescue (Doctor Who)
・ The Rescue (Explosions in the Sky album)
・ The Rescue (Horsell Common album)
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・ The Rescue (Sparks novel)
The Rescue (statue)
・ The Rescue of Pluffles
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・ The Rescue of the Renown
・ The Rescue on the River
・ The Rescuers
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・ The Rescuers (disambiguation)
・ The Rescuers Down Under
・ The Rescues
・ The Rescuing Angel
・ The Research
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The Rescue (statue) : ウィキペディア英語版
The Rescue (statue)

''The Rescue'' (1837–50) is a large marble sculpture group assembled in front of the east façade of the United States Capitol building and exhibited there from 1853 until 1958 when it was removed and never restored. The sculptural ensemble was created by sculptor Horatio Greenough (1805–52) who had previously been commissioned by the U.S. government to create a massive sculpture, ''George Washington'' (1832–41) for the Capitol rotunda, also now removed from that site. Due to long-standing controversies, these two sculptures have brought Greenough’s reputation to a very low ebb.
==Description==
''The Rescue'' was displayed to the right of the large staircase of the east façade of the U.S. Capitol and was a companion piece to another sculpture, Luigi Persico's ''Discovery of America'' (1837–50) — depicting a triumphant Christopher Columbus and a cowering Indian maiden — on the left. ''The Rescue'' depicts a confrontation between a bellicose American Indian warrior and a pioneer family. At the left rear of the group, a crouching pioneer woman desperately clasps a small child. To the front, an outsized frontiersman forcibly prevents a tomahawk-wielding Indian from brutally murdering his family. The heroic rescuer, however, refrains from injuring his adversary and displays a total mastery of the situation as well as a certain compassion for his enemy. The vengeful Indian warrior is rendered impotent and childlike. (His posture is loosely based on the central figure of the ancient ''Laocoön'' sculpture group.〔Fryd, Vivien Green (1987), (“Two Sculptures for the Capitol: Horatio Greenough's ‘Rescue’ and Luigi Persico's ‘Discovery of America’” ) ''American Art Journal'', Vol. 19, No. 2 (Spring, 1987), pp 99–100.〕) The frontiersman’s helmet-like headgear is fashioned like a Renaissance cap. To the right, the family dog looks on.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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